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Chelmsford, Essex, United Kingdom
The occasional blog of an Anglican priest in rural Essex
Showing posts with label films. Show all posts
Showing posts with label films. Show all posts

Monday, 24 January 2011

What have I said Now?

This Sunday we were hearing in church about the calling of the first disciples from Matthew's Gospel. I'd never really paused to think much before about what Zebedee [no giggling at the back] thought when his sons James and John got up from their nets and followed Jesus. In terms of the theology of vocation, it may be (as in this case) that the effects of that calling, that conviction, are positive for those who are called, those who come to that conviction, but less so for others around them, family, colleagues etc.
On Sunday morning I preached about calling from this story (Matthew 4, 12-23). In the sermon I uttered words I never expected to say again after I said them last when I was about 7:

I am Zebedee
 (we were playing on a pogo stick ...)

You see I suspect that even if James and John and their father had already heard of or about or even from Jesus before this lakeside encounter, with the best will in the world, there must have been a little bit of a sarcastic "oh, well so long and thanks for all the fish then" from Zebedee. Perhaps he did have an appreciation of the validity of his sons' calling, perhaps not, but the stark fact is he was 2 crew members down. That can't have been easy to swallow.

I am Zebedee

 because the diocese of Chelmsford lost 300 or more people over the weekend. They followed their own convictions, their own calling (the clergy among them would probably go with the latter) into the Ordinariate [?sp] - Pope Benedict's accommodation for Anglicans departing to Roman Catholicism. I am Zebedee even though I don't personally know any of these people, but we are a fair few crew members down as a result of their expression of their calling or conviction. My opinion on it is not relevant to the decision, but it has an effect on me because the family that has been torn apart is my family, the Anglican diocese of Chelmsford. Oh yeah, great timing too - a happy "Week of Prayer for Christian Unity" to you too Holy Father ! [rant over]

They would say I'm sure (as James and John would say) "We have to go". They don't have to go, the Church wants them to stay and the diocese of Chelmsford is working hard to support them and others like them, but they want to go - it is their conviction, based on their opinion of the matter in hand (namely the making of women Bishops among other alleged 'departures from tradition'). I happen to disapgree with them enormously but I think it is a mistake to go.

Which brings me to the whole concept of the power of personal opinion. This weekend on Sky Sports Richard Keys and Andy Grey expressed personal opinons, which were broadcast unknown to them. The opinions (which I wont repeat here but if you live in a vacuum click the link) were widely condemned as unacceptable. Grey and Keys clearly hold convictions about women in sport which are a little old fashioned to put it politely. Had they been savvy enough to realised their mics were live I'm fairly sure they'd have been more discreet, but now we all know what they think, even though they have apologised.

I don't think those opinions are God-given. When it comes to the Ordinariate, that is a harder thing to say, as I do believe, even if I disagree, that many of those 300 or so souls genuinely did seek God's input on their decision to cross the Tiber. whether they found God's answer for anyone beyond their own selves is another question.

In all of this one thing we should remember (as Yoda might put it); forgiveness is not the same as saying it doesn't matter.

And finally, to bring two great films together in one pastiche, since I am married to a woman priest I can say ...

I am Zebedee and so's my wife

Monday, 1 November 2010

happiness more or less

Recently, in a discussion on the Psalms, a friend used the expression "all human life is here". I had usually associated that with the News of the World, but it does work for the variety of emotions you find there - cries of joy, of anguish, of depair, of praise, of love and of revenge adorn the hebrew Bible's hymnbook. We concluded by saying it would be good if our worship gave enough space for such a breadth of emotion. It doesn't really though, does it?
I also concluded that it was about time I stopped suppressing my emotions when I am deployed pastorally. You know like when you are at a funeral you probabaly don't expect the minister to be overly emotional because (and cringe, I have used this phrase of myself0 they are paid to keep a straight face. It is quite hard to shock me, but now I am unafraid to weep at a funeral I am taking, if only because (like the psalmists, I feel) I would want everyone there to feel comfortable expressing emotion.
Then again, I watched Marley and Me tonight and blubbed like a girl ...

What do you think?
(btw since I am fasting from Fb this week please reply here)

Wednesday, 21 July 2010

Derivatar

So, my wife is now the only person in Britain over the age of 12 and under the age of 50 who hasn't seen Avatar because I watched it last night. We got it off Love Film and I did love it.

I enjoyed it so much that I didn't even notice it was midnight when the credits rolled. Let me say that again, I really enjoyed the film, and as I said then, "I believe the hype".

That said, I did spend quite a lot of the time saying "that's like in so and so". Thankfully there was only one " 'ere, wasn't she in Lost?" However I have concluded that this was possibly the most derivative film I've ever seen, in terms of plot, characterisation and indeed props and scenery. So here's my Avatar hall of fame (or should that be shame?)

PLOT
Well, obviously it owes a lot to the Matrix, in terms of the "special one", in terms of going in and and coming out of another world, and so on. When Grace and Jake were awoken and their avatars collapsed I couldn't help thinking of that scene I usually fast forward in the Matrix when Cypher pulls the plug ... The ending (btw as you gather from my opening statement, I'm assuming you've all seen it and won't mind that this is littered with spoilers) was also very similar to the end of the Matrix with the awakening in the other world.

The way Jake changed sides by association with the Na'vi (btw = Hebrew for  prophet) was to me lifted straight from Dances with Wolves (Costner's finest moment anyone?) even down to the journal style monologue voiceover.

The basic resistance movement plotline appeared to be derivative of the Magnificent 7/7 Samurai/Bug's Life storyline, or many other little vs big movies I'm sure you can identify. More from Bugs Life in a minute. One might even derive elements of the "fetch the clans" bit from the Lord of the Rings final battle scene.

Naturally the evil general was the usual stereotype, and of course I did enjoy that nerdy guy from Friends/Saving Private Ryan as the sort of evil middle management. Otherwise it was great that most of the characters were smurfs ... sorry Na'vi so you couldn't get distracted by trying to remember what else they'd been in.


PROPS & SCENERY
To me Home Tree did in fact look exactly like Ant Island from Bugs life, but in HD. And while we're with Pixar do you really expect me to take seriously a giant blue character called Sully after I've seen Monsters Inc (a little research never does any harm!)

The armoured suits (like the one the general wore in the final showdown) were clearly actually borrowed from the Matrix props cupboard and just jazzed up a bit for low oxygen use.

The twin prop helicopters reminded me of the twin prop helicopters on Syndrome's island in the Incredibles, and the big gunship reminded me of the Millennium Falcon, except if it had been eating doughnuts since filming stopped on Star Wars.

And the whole Pandora background was like watching a Roger Dean poster come to life (and I know I'm not the only person to have noticed this).


So why did this happen? We're told James Cameron had the idea for this film ages ago when the technology to create it didn't exist. In many senses it was like watching (yet) another animated film like the ones my kids are just growing out of.

My take on it is this; Cameron had the idea for the movie and then he had a dream in which a mash-up of all the films I've mentioned came to him, and then he knew he was ready... He's obviously been watching a lot of Disney films and cartoons on TV (if there was any justice in the movie world, "The Last Airbender" would be called "Avatar") and I like to think he fell asleep looking at the cover from "Tales from Topographic oceans" or some such thing.

I think it was George Harrison who said that eventually all the songs possible would be written because of a finite number of combinations of notes. It seems to me with Avatar we have reached the point where art isn't imitating life, just other art.
But I still thought it was great and will watch it again tomorrow with my "looking out for spiritual reference points" hat on.

Monday, 28 September 2009

Girl there's a better life ...

Inspired by an old college friend's post over at Holy Brit, I went online recently and bought the DVD of City of Ember. My kids loved it and it also appealed to me.


Not just because it's a Walden media film, but mostly because it belongs in that particularly helpful film genre of post-apocalyptic fantasy. I think this is a helpful kind of film because it engenders thought about the following (in no particular order); the end of the world (which you can take theologically, ecologically, politically or all three), how to escape from captivity and helplessness, themes of redemption, the rediscovery of ancient wisdom, the possibility that there is another way of living or another world in which we can live .... you can see where I'm going with this.

City of Ember doesn't have a particularly strong plot (there are a couple of holes which I attributed to post production cutting) but for me a great element of the story was the contrast between the kids who decided to try to escape a doomed underground city, and the people who preferred to stand around singing on "the great day of singing", trusting that "the builders will return".

I'm not saying we earn our salvation, I'm just saying there is more to life and faith than standing round singing; we have to (in the words of John Ortberg) get out of the boat. Stebbing church have been having a little go at this recently. When the photos are in I will post about that too.

But back to post-apocalyptic films. I guess City of Ember is to "the Matrix" (if you need me to link that, where have you been?) what Monopoly Junior is to the real thing; same theme, but simpler plot, shorter and easier to play (and obviously fewer automatic weapons). There are tons of films that effectively tell the same story; struggling survivors (with a variant, Utopian fallacy), post apocalypse, minority rebel, escape, bring deliverance. It is a story of salvation, but not all the films are as overtly Messianic in imagery as The Matrix.

Here's a little selection for you to compare and contrast

Logan's Run
The Island
The Matrix
Equilibrium
WALL-E

Perhaps you can add to this list.

If I was feeling pious I guess I could say there is a fascination for this kind of stuff because subconsciously we all want to escape, we all want to be saved. Actually the appeal has as much if not more to do with the actors and actresses (I think it is possible that Logan's Run was the inspiration for Kenny Everett's line "and then all my clothes fall off...") and rip roaring action/fight sequences.

I first got interested in this genre at school, studying O-level English literature. If I were to say to you, EM Forster, you'd probably be thinking of a Merchant Ivory film with Helena Bonham Carter in it (too many to link to ). Yet in 1909 Forster wrote The Machine Stops (that's the full text, you can get a summary here). To my mind this short story is the daddy of this kind of narrative. If you ever worry about the Internet having too much influence over us, you'll enjoy Forster's scarily prophetic plot. If they made it into a film today it'd be panned as far too derivative of any of the above!

Wednesday, 17 June 2009

And he's watchin' us all



I had an idea tonight; you know how Terminators (in the film and TV franchise) have this thing that happens in their eye whereby they can look at someone and get from a computer programme information like name, date of birth, address, state of health etc.

I could really do with getting one of those fitted, for those moments in pastoral minsitry when you are talking to someone you have met before, who obviously knows who you are, but you have no recollection of who they are or where you met them.

It would really be a great bolt on, as my own RAM drive is getting rather full these days!

Tuesday, 16 June 2009

Be a man be a mystery man

Night Jack, the police blogger, has been outed by the Times and disciplined by his force.

I found out about him through the Ugley Vicar, who linked to a pretty scary post (which you won't be able to read now as its all been taken down. I also found the excellent Get out of Jail free through Night Jack, so I owe him thanks for that at least.

Anonymity online is a touchy subject for some; "noms de plume" can enable people to say stuff they wouldn't get away with under their real names. Then again, if they need to hide behind a pseudonym, should they be saying it in public in the first place? It's easy to forget that blogs and discussion forums (?fora) are in fact read by more people than you would expect.

I like the idea of online identity, but it needs to be accessible, thus I know who Elizaphanian, Cranmer's Curate, Revise Reform and Pluralist are, because they do not try to hide, they just have a nickname. You can find them yourself, I can't be bothered to do all those links.

Perhaps Night Jack should have watched Bambi


What do other people think?

Thursday, 30 April 2009

Xmen special separated at birth



2 old blokes who mumble








2 blokes with nasty tempers and lovely sideburns







Tuesday, 28 April 2009

Offer me solutions, offer me alternatives and I decline

I started to watch this film late last night; couldn't stay awake but wish I'd recorded it. Idiocracy is a bit like Wall-E except with people not robots - it also has mountains of rubbish and green plants in the denoument. If I'd watched the whole thing I might have been better prepared for "Let us be human" week 2, which was very stimulating stuff. Thanks Sam!

Actually, check out these REM lyrics from 1985 and feel that shiver down your spine (unless they've been reading the same stuff ...)

Sunday, 29 March 2009

You make everything groovy

Now this was a great book. I remember reading it to my little brother (little? 6'4 and 39 last Friday!) and then I read it to my kids. How they will make it into a full length film is anyone's guess, but I like the tag lines

Friday, 28 November 2008

Come on Come on let's stick/work together




In a rare moment of leisure the other day I watched The Matrix Reloaded which is a strange but highly enjoyable mixture of kick-ass action and philosophy/theology.


A cracking line jumped out at me when I watched the scene of the council of war, where the sceptical (i.e. does not believe the prophecy about Neo (Keanu Reeves, on the left here) being "The One", a kind of Christ figure sent to save humanity) captain Jason Lock argues with the governing council about their strategy; he says he cannot comprehend why they are taking the course of action they have chosen (i.e. to put their faith in Neo), and the council replies in the mighty words








That is, you don't have to fully agree with, understand or be in control of a situation (think "the darkness comprehendeth it not" - means a lot more than "doesn't understand") in order to work together with others to fix it.




There are any number of ways this phrase could be applied to life today; the credit crunch, cross-party ecological strategy, ecumenism, even kicking racism out of football - I don't get Manchester United or Millwall but I support their efforts to get rid of racist chanting etc.




But of course I'm posting it because of the post-NEAC5 skirmishing between Anglican Mainstream and Fulcrum, and indeed between GAFCON and everybody else.





And, even though I'm a declared Fulcrumite, this has got to be a mutual thing. A way forward can only be found by looking at common ground, and setting aside differences, no matter how painful.
Update: "Comprehension is not a requisite for cooperation" might be a one sentence summary of the book of Job.